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1970s Art of Renee Radell

 

Artist Bio highlights.  Renee Radell’s 1970s art is best characterized as figurative art with strong social commentary art components. Radell’s artistic reaction to the Vietnam War and political mayhem was to generate a constant stream of paintings during this time with a visceral arsenal of satire, compassion and morality. Hints of surrealism began to emerge through references to a spiritual dimension, allowing relief and redemption for a wearying Mankind.

 

Art critics were not alone in marveling at the power of Radell’s imagery embedded in the premier painterliness of her 1970s art.  Man of letters Russell Kirk in 1974 drew important parallels between T.S. Eliot’s “permanent things” and the intellectual content of Radell’s social commentary painting in Detroit News Sunday News Magazine.  Renee Radell had emerged as a keeper of humane values through her art, a role that would mature further through symbolism, myth and allegory.

 

(scroll down for Renee Radell 1970s Art timeline)

[qode_workflow animate=”yes” line_color=”#8224e3″][qode_workflow_item title_tag=”h5″ image_float=”yes” image_alignment=”right” title=”1970 ” text=”Exhibitions continue in the Midwest including Chiara Gallery in Cleveland, Ohio. The Tide wins 1st prize at Schuss Mountain National Art Festival, Mancelona, Michigan. ” circle_background_color=”#dd212d” image=”1134″][qode_workflow_item title_tag=”h5″ image_alignment=”left” title=”1971″ text=”Paintings express increasing concern with Vietnam War.” image=”1135″ circle_background_color=”#dd212d”][qode_workflow_item title_tag=”h5″ image_float=”yes” image_alignment=”right” title=”1972″ text=”Becomes Artist-in-Residence at Mercy College of Detroit and for next 10 years, teaches anatomy, life drawing and painting.” image=”1260″ circle_background_color=”#dd212d”][qode_workflow_item title_tag=”h5″ image_alignment=”left” title=”1973″ text=”Becomes Artist-in-Residence at Mercy College of Detroit and for next 10 years, teaches anatomy, life drawing and painting.” image=”1136″ circle_background_color=”#dd212d”][qode_workflow_item title_tag=”h5″ image_float=”yes” image_alignment=”right” title=”1974″ text=”The Detroit News Sunday News Magazine publishes an extensive pictorial article by Russel Kirk, man of letters and T.S. Eliot scholar, entitled “Renee Radell – She paints Confusion In Search Of Order” wherein Kirk draws parallels between the depth of Radell’s visualization of the human circumstance, and Eliot’s “permanent things”.” circle_background_color=”#dd212d” image=”1579″][qode_workflow_item title_tag=”h5″ image_alignment=”left” title=”1975″ text=”Awarded a faculty grant from Mercy College of Detroit for post-graduate studies in graphics at College for Creative Studies in Detroit (formerly Detroit Society of Arts and Crafts).” image=”1139″ circle_background_color=”#dd212d”][qode_workflow_item title_tag=”h5″ image_float=”yes” image_alignment=”right” title=”1976″ text=”Lectures on “Imagery and Symbols in Art” at Hillsdale College Center for Constructive Alternatives, Michigan. Renee and Lloyd jointly exhibit new work and are panelists along with poet John Ciardi and writer Tom Wolfe.” circle_background_color=”#dd212d” image=”1140″][qode_workflow_item title_tag=”h5″ image_alignment=”left” title=”1977″ text=”Continues printmaking studies at College for Creative Studies funded by a grant from Michigan Council for the Arts. “¢ Hard-edged period at its peak.” circle_background_color=”#dd212d” image=”1581″][qode_workflow_item title_tag=”h5″ image_float=”yes” image_alignment=”right” title=”Late 1970s” text=”Extensive exhibitions with regional press coverage in Michigan and Ohio at universities and art galleries. “¢ Moves with family to Farmington Hills, Michigan.” circle_background_color=”#dd212d” image=”1141″][/qode_workflow]