DETAILED BIOGRAPHY

 

This biography chronicles the life of American artist Renée Radell (1929-2023), from her early childhood in Alabama, through her active career in Michigan and New York, to retirement in Pennsylvania. Using a timeline format, it juxtaposes details of her personal life with some of her contemporaneous artworks.

A woman in a white top and headband.
Teenager in Detroit

EARLY YEARS

Radell was born in Birmingham, Alabama in 1929 and moved to Detroit eight years later. She became an award-winning watercolorist while attending the prestigious art school of Detroit Society of Arts & Crafts.

A man sitting in a chair with his head turned to the side.
Model Posing (1937)
A young man is painting in an art studio.
Midwest recognition

1950s

For Radell, life in the 1950s meant beginning a family in rural Michigan while attracting critical acclaim for her move to social commentary figurative oil painting on the path to New York.

A painting of an abstract scene with orange and green colors.
Confinement (1954)
A woman standing in front of an art work.
New York mainstream

1960s

The turbulent 1960s brought international recognition and mainstream New York gallery representation for Radell’s insightful themes of American family life amid the angst of a war-torn global environment.

A painting of a woman holding a baby
Profit of War (1966)
A newspaper with the cover of a magazine.
Sociopolitical issues

1970s

For Radell, the 1970s featured a  journey into painting societal confusion and search for meaning, while maintaining positive elements of hope for the progress of humanity.

A painting of four men sitting at a table.
Renee 2
A woman in a hat and gloves standing next to a table.
Move to Greenwich Village

1980s

Success in the New York contemporary art scene prompted Radell to move to Greenwhich Village, where she created new allegorical paintings while teaching at Parsons School of Design and Pratt Institute. She also rediscovered plein-air painting of street scenes and landscapes during her travels to southern France.

A painting of a room with people in the background
Confrontation at 28th Street (1989)
A woman saluting in front of the louvre museum.
European adventures

1990s

For Radell, the 1990s were a time of tremendous productivity, and she created multiple series of ‘visual morality plays’ using myth, symbol and allegory in an East Village studio.

A painting of horses and people in the background.
Carousel (1990)
A woman standing in front of a painting.
East Village studio

2000s

Her move to a larger studio in the vibrant Manhattan Chelsea art community in the new millennium allowed Radell to expand her allegorical and surrealistic imagery to murals and triptychs.

A painting of horses and birds in the water.
Impending Storm in Paradise with Shades of Durer (2010)
A woman in white shirt and black jacket near table with bird figurines.
New challenges

2010s

In the 2010s, Radell often expressed her vision of life and purpose in new  ways, including heightened use of mixed media and sculpture and addressing the purity of color, form, and composition in several series of abstract oil paintings.

A painting of a red and green abstract background
Transformation (2013)